On the heels of this morning’s news that Gore Verbinski has dropped out of directing Fox’s long-developed Gambit movie, the studio has revealed a new slate of release date shakeups, giving Gambit, Untitled Deadpool Sequel, and The New Mutants new release dates.
Good news first, Untitled Deadpool Sequel has been bumped up by two weeks and will now land in theaters on May 18, 2018 instead of June 1. Ryan Reynolds will return as the foul-mouthed vigilante alongside Brianna Hildebrand as Negasonic Teenage Warhead, Morena Baccarin as Vanessa, and (cringe) T.J. Miller as Weasel and newcomers Josh Brolin as Cable and Zazie Beets as Domino. The new release date puts Deadpool 2 a week ahead of the Star Wars box office domination that’s sure to come with Solo: A Star Wars story, a smart move considering the Star Wars films have proven to have long legs. Deadpool will now return to theaters up against Sony’s horror pic Slender Man.
Now the bad news. Josh Boone‘s horror-tinged take on The New Mutants is getting a major bump back on the schedule and will now land in theaters 10 months later than originally scheduled. The film moves from April 13, 2018 to February 22, 2019. Anya Taylor-Joy, Maisie Williams and Charlie Heaton star in the YA X-Men spinoff about a group of diverse teenage mutants kept in a research facility against their will. The shift prevents Fox from having two superhero films in theaters at the same time overseas, but the significant bump suggests that there are larger factors at play, either because the film needs more work before it’s ready for audiences or possibly due to strategy or fallout surrounding the Disney-Fox deal. Per The Tracking Board, the film tested OK, but the studio wants to rework it to be scarier in the wake of last year’s landmark year for horror.
Finally, there’s the Gambit movie, which has seen a tortured pre-production process, losing directors Doug Liman (American Made) and Rupert Wyatt (War for the Planet of The Apes), and as of this morning, Gore Verbinski (Pirates of the Caribbean). The Channing Tatum vehicle has been pushed from the recently set February 14, 2019 to a summer slot on June 7, 2019. Per The Hollywood Reporter, the film has a “heavy comedic tone as it revolves around a heist” and the thinking is that it’ll do better as a summer Marvel movie.
X-Men: Dark Phoenix is still slated to hit theaters on November 2, 2018.
For more of the latest of Fox’s growing X-Men verse, check out our recent coverage in the links below.
After breaking out in his psychological thriller “The Witch,” Anya Taylor-Joy is looking to reteam with director Robert Eggers on his new take on a cinematic classic.
Sources tell Variety that the “Split” actress is in negotiations to star in Studio 8’s remake of “Nosferatu.”
Eggers is writing and directing the pic. The 1922 silent movie followed the vampire Count Orlok of Transylvania, who wants to buy a house in Germany and becomes enamored of the real-estate agent’s wife. It was an unofficial adaptation of Bram Stoker’s “Dracula,” and Werner Herzog directed a 1979 remake.
Chris Columbus and Eleanor Columbus will produce.
Eggers has already signed a deal with Studio 8 and is attached to direct “The Knight” for the studio. Jon Silk brought the “Nosferatu” project to Studio 8.
Eggers wanted to reteam with Taylor-Joy on the film early in the process, but after she became a bona fide movie star in M. Night Shyamalan’s hit “Split,” the young actress’ schedule has filled up. She is currently filming Josh Boone’s X-Men film “New Mutants” and is also signed on for the “Split” and “Unbreakable” sequel “Glass,” which also stars James McAvoy, Bruce Willis, and Samuel L. Jackson.
Taylor-Joy is repped by CAA and Troika.
Josh Boone is directing the Fox movie from a script he co-wrote with Knate Gwaltney.
Fox’s long-awaited X-Men spinoff New Mutants is finally getting casting up.
Anya Taylor-Joy, the star of The Witch and Split, and Game of Thrones’ Maisie Williams have signed on to star in the project, the ensemble young adult super hero movie being directed by Josh Boone.
The movie is headed towards an early July start and is armed with a script by Boone and his writing partner, Knate Gwaltney. Simon Kinberg and Karen Rosenfelt are producing.
New Mutants, created by Chris Claremont and Bob McLeod, was the first X-Men comic spinoff, launched in the early 1980s as the franchise began two decades of dominating the comic book industry.
The movie will focus on the angst-driven adventures of a diverse group of teens that include Native American Danielle Moonstar, Scots girl Wolfsbane, Brazilian ladies man Sunspot, a Kentuckian code-named Cannonball, and Russian teen Magik. Also in the mix will be an alien named Warlock.
Taylor-Joy will play Magik, a girl who has learned sorcery and uses teleportation discs to travel. She is also the sister of Colossus, an X-Man who appeared in Deadpool.
Williams will play Wolfsbane, a girl struggling to reconcile her religious beliefs with her power to turn into a wolf.
Boone has been eyeing the actresses since last year but was only able pull the trigger on them once the movie was greenlit earlier this year. The movie has a April 13, 2018 release date.
The studio is making serious efforts to find ethnically appropriate actors, conducting wide searches for a Native American to play Moonstar and a South American for Sunspot.
Taylor-Joy broke out with the 2015 award-winning period horror movie The Witch and starred with James McAvoy in M. Night Shyamalan’s surprise hit, Split. She is repped by CAA, Felker Toczek and Troika in the UK.
Williams plays Arya Stark in Thrones, which launches its seventh season in July. She is repped by WME, Jackoway Tyerman and UK’s Louise Johnston Management.
Source: The Hollywood Reporter
First Marrowbone teaser reveals a sinister presence haunting Anya Taylor-Joy
The first sinister teaser trailer for screenwriter Sergio G. Sanchez’s directorial debut Marrowbone has dropped.
Marrowbone stars Anya Taylor-Joy, who recently wowed everyone with her acting turns in The Witch, Morgan and Split, alongside Mia Goth (A Cure for Wellness), George Mackay (Captain Fantastic) and Charlie Heaton (Stranger Things). The movie may be Sanchez’s first directing gig (he also wrote the script), dude is no stranger to horror. Sanchez penned the screenplay for the 2007 Spanish horror movie The Orphanage, which was directed by J.A. Bayona (Penny Dreadful, A Monster Calls), who also serves as executive producer on the upcoming film.
So, what’s Marrowbone about? Here’s the synopsis:
A young man and his four younger siblings, who have kept secret the death of their beloved mother in order to remain together, are plagued by a sinister presence in the sprawling manor in which they live.
Marrowbone will be released in movie theaters in Spain on October 27. There’s no North American release date yet, but here’s hoping we’re going to see this sooner rather than later.
M. Night Shyamalan Confirms ‘Split 2’, Now Titled ‘Glass’ and Set for 2019 Release
Spoilers aplenty for anyone who hasn’t seen Unbreakable or Split.
M. Night Shyamalan has had, and continues to have, one of the most fascinating careers in all of Hollywood. His big break came in the 1999 mystery thriller The Sixth Sense, which cemented Shyamalan as a master of the twist, ironically or not, in pop culture. The filmography gets decidedly more contested after that. For nearly 20 years, cinephiles have argued over the strengths and weaknesses of the writer/director’s work, but the biggest twist yet came just this year with the release of Split, his latest feature effort.
In this thriller, James McAvoy stars as Kevin Wendell Crumb, a man afflicted with two dozen personalities, some of which wage an internal war against the others for control of Kevin and the release of a powerful entity known as The Beast. Though Anya Taylor-Joy‘s character Casey Cooke survives an encounter with The Beast for surprising reasons, the biggest twist was this: Split was a sequel to Shyamalan’s 2000 film, Unbreakable, as confirmed by the reveal of Bruce Willis in the new film’s closing moments. Now, Shyamalan has revealed details for the third film in the shared cinematic universe, Glass.
Bruce Willis, Samuel L. Jackson, James McAvoy, and Anya Taylor-Joy will all star in Glass, due January 18, 2019.
Here’s the newly release synopsis for Glass:
M. Night Shyamalan brings together the narratives of two of his standout originals—2000’s UNBREAKABLE and last year’s SPLIT—in one explosive, all-new comic-book thriller: GLASS. From UNBREAKABLE, Bruce Willis returns as David Dunn as does Samuel L. Jackson as Elijah Price, known also by his pseudonym Mr. Glass. Joining from SPLIT are James McAvoy, reprising his role as Kevin Wendell Crumb and the multiple identities who reside within, and Anya Taylor-Joy as Casey Cooke, the only captive to survive an encounter with The Beast.
Following the conclusion of SPLIT, GLASS finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men.
This riveting culmination of his worldwide blockbusters will be produced by Shyamalan and Jason Blum, who also produced the writer/director’s previous two films for Universal. They produce again with Ashwin Rajan and Marc Bienstock, and Steven Schneider, who will executive produce.
Photoshoots & Portraits > Photoshoots from 2017 > Session #10 – W #2
Saying in a pistachio-green embroidered Dior gown, her hair sprayed egg-yolk yellow, and her dark eyes flashing, the actress Anya Taylor-Joy brings to mind a punk version of Hamlet’s Ophelia—just before her tragic watery end.
“Bella! Divina!” cheers the photographer Paolo Roversi, as Taylor-Joy’s ethereal image appears on the digital screen. The gown, from Maria Grazia Chiuri’s debut couture collection for the French house, is one of many that the 20-year-old will don over the course of the next few hours, slipping effortlessly in and out of them, much the way she does the characters she embodies.
“This is playtime,” she says as she glides among the racks in between shots. “I can morph from one person to another really quickly. I have to think about what I can convey in a single picture.”
Taylor-Joy studied ballet but had no formal drama training; with her taut physique and unconventional beauty, she exudes the magnetic power of a silent movie star. “Look at those eyes!” exclaims Roversi moments later, as Taylor-Joy does her best Marilyn Monroe, singing “Diamonds Are a Girl’s Best Friend” while posing in a Chanel silver-sequined column topped with a cloud of tulle. “I love how ambiguous they are.”
Taylor-Joy’s otherworldliness is especially beguiling onscreen. In 2015’s The Witch, she played a tormented teenager in 17th-century New England whose family is torn apart after one of her brothers disappears. She followed that up with Morgan, appearing as a mesmerizingly violent cyborg struggling to come to terms with her human side. And in Split, M. Night Shyamalan’s disturbing thriller about a girl abducted by a man with multiple personalities, Taylor-Joy conveyed with simmering intensity not just the terror of being held captive but also the strength of mind needed to escape.
“Casey taught me to value being quiet,” she says of her character in the film. “A lot of the acting was based on stage direction rather than dialogue, so I really discovered how much I could communicate with my face.” Casey, she adds, “is an outsider with a deep internal wall. She stores information.”
Up next is Thoroughbred, playwright Cory Finley’s first feature film, which premiered to great acclaim at the Sundance Film Festival in January. Taylor-Joy is Lily, a girl of much privilege and few morals who teams up with a friend to lure an outcast into killing her stepfather. “Lily is a toxic character, but more by nurture than nature—she has been warped that way,” says Taylor-Joy, almost apologetically, as she wraps herself in a white terrycloth robe and tucks into her lunch of salad and focaccia. “The biggest challenge is playing an awful human being and keeping the audience on your side despite that.”
Finley was impressed by Taylor-Joy’s maturity. “With Thoroughbred, we were trying to walk a very narrow tonal line, and to make a film that was both an honest portrait of two characters and a satirical black comedy,” he says. “So much of the film rides on Anya’s role. She had to be sympathetic and frightening, sometimes at the same time. The role was physically and emotionally demanding, and she was able to go to dark places but to snap out of them quickly.”
One easily senses how deeply Taylor-Joy is able to delve into the psyches of the emotionally complex women she has taken on in her short career. “She’s pure and open internally, and that’s why she’s riveting,” says Shyamalan. “The thing she wants to do more than anything is protect her characters. Filming Split, I would say, ‘You have to defend Casey more,’ and she would tear up.” Taylor-Joy describes herself as “very porous” to the personalities of other people, both real and fictional, and recalls how, as a child, she was just as happy hanging out with her real friends as with imaginary ones. “I would go off into the woods and play out seven different characters. I think I was purging emotions, and by putting them into a story, I felt lighter. I do feel things so intensely.” Off camera, though, Taylor-Joy is upbeat and effervescent; she can go from a posh English accent to Eliza Doolittle cockney to a Valley girl drawl in seconds.
The youngest of six siblings, Taylor-Joy had a peripatetic upbringing—her Argentinean-Scottish father was a powerboat racer, and her English-Spanish mother worked in photography and design. She was born in Miami and spent her early childhood in Buenos Aires; the family moved to London when she was 6. Nowadays, she shuttles between London and New York, and says that the itinerant life has always suited her just fine. “My mother has a video of me at age 7 declaring, ‘I’m going to be an actor,’ ” Taylor-Joy says with a smile. “She asks me, ‘Are you going to drama school?’ and I reply that I’m going to be in the right place at the right time. Thank God it happened.”
Indeed, she was hanging out in Central London when Sarah Doukas (who discovered, among others, Kate Moss) spotted her and promptly signed her to her modeling agency, Storm. Taylor-Joy dropped out of school at age 16 and, while on a photo shoot, met the Irish actor Allen Leech (aka Tom Branson, the chauffeur on Downton Abbey); after hearing her deliver an impromptu reading from the Seamus Heaney book she was carrying, Leech introduced her to his agent. Within four years, she was nominated for a BAFTA Rising Star Award, the British equivalent of the Oscars, and named Breakthrough Actor at the Gotham Independent Film Awards.
Back at the W shoot, three assistants are holding Taylor-Joy aloft as she slowly disappears into a frothy sea of Giambattista Valli lime-green silk tulle. Suddenly, she stiffens her upper body and assumes a slightly mad, intoxicated expression. The entire studio is transfixed. “I go into a meditative state in front the camera, and I feel I’m speaking to it,” she explains later. “That might sound strange. I’m always surprised by how many close-ups there are of me after filming. I’m not aware of the lens.”
I venture that it’s clear she knows a thing or two about the transformative power of clothes. “Growing up, I was a real tomboy, and I was not aware of fashion,” Taylor-Joy says. “I wore my brothers’ clothes and whatever my mom bought me. I rarely looked in the mirror.” Modeling, and acting, changed all that. “When I had my first fitting, it frightened me because I felt so unlike me. I didn’t know how to wrap myself around the idea of looking beautiful. Now, I relish the idea of getting dressed up.” She pauses, recalling a certain featherlight Valentino chiffon confection that she had slipped out of moments before. “Wearing an incandescent dress feels peaceful, like magic,” she says, before adding, unnecessarily, “I’ve always loved make-believe.”
Source: W Magazine
Anya Taylor-Joy In Talks To Join Kristin Scott Thomas’ Directorial Debut ‘The Sea Change’ – Berlin
EXCLUSIVE: Anya Taylor-Joy is in talks to join Kristin Scott Thomas’ directorial debut The Sea Change, which Rocket Science is shopping to buyers at the European Film Market.
The actress, who’s a BAFTA Rising Star nominee this year, will join Scott Thomas in the film based on Elizabeth Jane Howard’s acclaimed novel of the same name. Mark Strong is also in talks to star alongside Scott Thomas.
Rocket Science is handling worldwide sales for the pic, which it launched to buyers this week in Berlin. Rebecca Lenkiewicz adapted the novel for the screen and Barnaby Thompson produces for Fragile Films. Principal photography is scheduled to begin later this year in the UK and Europe.
Story follows a group of people who re-evaluate loss, love and human connection when they find themselves together on a remote Greek island. Emmanuel (Strong) is a successful London playwright married to the complex and witty Lillian (Scott Thomas) for many years, but their marriage is in crisis, a crisis overcome by the arrival of a curious and outspoken young girl (Taylor-Joy). Their relationship is thrown into perspective when her life is thrown upside down.
Taylor-Joy is starring in M. Night Shyamalan’s box office and breakout hit Split, for Universal, and also Thoroughbred for Focus Features. The in-demand actress is in post-production on thriller Marrowbone for Lionsgate.
Rocket Science, which was launched by industry sales veteran Thorsten Schumacher last year, has a robust Berlin slate including the Taika Waititi and Mark Gustafson-directed Bubbles and Harmony Korine’s The Beach Bum, starring Matthew McConaughey. Additional projects include David Lowery’s The Old Man And The Gun, starring Robert Redford and Casey Affleck; Dominic Cooke’s film adaptation On Chesil Beach, starring Saoirse Ronan; and Judd Apatow’s Juliet, Naked.
Taylor-Joy is repped by CAA and Troika.
Source: Deadline Hollywood
Fellow rising star nominee Taylor-Joy had her breakout in her debut film role, 2016’s indie hit The Witch, but is soon set to appear alongside James McAvoy — a rising star winner himself in 2006 — in M. Night Shyamalan’s thriller Split.
“I can’t quite put into words how it feels to be in the company of such talent, past and present,” the 20-year-old said. “All my love and gratitude.”
Taylor-Joy is joined in the nominees list by another indie breakthrough, Hedges, currently seen in Kenneth Lonergan’s Oscar-tipped Manchester by the Sea. Hedges, who first made his mark in Wes Anderson’s Moonrise Kingdom, recently wrapped on Greta Gerwig’s directional debut, Lady Bird, alongside Saoirse Ronan and Tracy Letts, and Martin McDonagh’s Three Billboards Outside Ebbing, Missouri.
“It’s really exciting to be recognized for an award that has nominated many of my favorite actors over the years,” he said. “I’ve always been enamored with English culture and have dreamed of living in England, so this nomination is particularly meaningful for me.”
Source: The Hollywood Reporter
Photoshoots & Portraits > Photoshoots from 2016 > Session #9 – T
When she was just 17, Anya Taylor-Joy was faced with a particularly meaningful decision: She could fulfill her childhood dream of appearing on a Disney show, or she could make her lead-role debut in “The Witch,” the puritanical horror film that would eventually launch her to stardom. “I had to be honest with myself, and realized that I’m a lot darker and less bubbly than I thought I would be at this age,” the now-20-year-old says. A former model — she was discovered while walking in London, where she was tailed by a car containing the Storm Model Management founder Sarah Doukas — Taylor-Joy will next star as an at-risk artificial being in the sci-fi thriller “Morgan,” the debut film from Luke Scott, the son of filmmaker Tony Scott. It’s been a rapid ascent, to be sure, made real when Taylor-Joy recently spilled trade secrets with her acting idol, Saoirse Ronan. “That was the first time I thought, ‘I guess I’m officially an actor.’”
Source: The New York Times Style Magazine
Photoshoots & Portraits > Photoshoots from 2016 > Session #8 – Elle
These 5 Young Women Are Poised to Take Over Hollywood
Cinema’s new class of (majorly connected!) breakouts.
Beguiling, beautiful, and bringing it on the big screen, these five fresh-faced actresses are Hollywood’s latest breakout performers.
Catch her in: The Witch, the buzzy, beautiful horror indie that hexed Sundance; next year’s Ridley Scott–produced sci-fi thriller Morgan, with Kate Mara.
Witchy woman: “After reading the script, I didn’t sleep the entire night—it was utterly terrifying. When I walked into the audition, I was shaking. I was horrified. It was this dark impulse to do it. I needed to tell that story.”
Read More | Source: Elle